The Painter's Honeymoon

The Painter's Honeymoon
the polish rider
The Sacrifice of Abraham painting
The Three Ages of Woman
I parted from them at the wicket-gate, where visionary Strap had rested with Roderick Random's knapsack in the days of yore; and, instead of going straight back, walked a little distance on the road to Lowestoft. Then I turned, and walked back towards Yarmouth. I stayed to dine at a decent alehouse, some mile or two from the Ferry I have mentioned before; and thus the day wore away, and it was evening when I reached it. Rain was falling heavily by that time, and it was a wild night; but there was a moon behind the clouds, and it was not dark. ¡¡¡¡I was soon within sight of Mr. Peggotty's house, and of the light within it shining
oil painting
through the window. A little floundering across the sand, which was heavy, brought me to the door, and I went in. ¡¡¡¡It looked very comfortable indeed. Mr. Peggotty had smoked his evening pipe and there were preparations for some supper by and by. The fire was bright, the ashes were thrown up, the locker was ready for little Emily in her old place. In her own old place sat Peggotty, once more, looking (but for her dress) as if she had never left it. She had fallen back, already, on the society of the work-box with St. Paul's upon the lid, the yard-measure in the cottage, and the bit of wax-candle; and there they all were, just as if they had never been disturbed. Mrs. Gummidge appeared to be fretting a little, in her old corner; and consequently looked quite natural, too.