Claude Monet The Road Bridge at ArgenteuilClaude Monet The Bridge at ArgenteuilClaude Monet Spring 1880
a swift-rushing swirl of black silk, pale limbs, green pine needles, gray-brown scabby leather. How the witches could keep their balance in the sudden turns and halts and forward darts, let alone aim and shoot, was beyond Will's a responding thrill in the nerves of anyone close by.
Then the witch turned to Will, and he felt the same tingle of intensity, but like Lyra he controlled his expression. He still had the knife in his hand, and she saw what he'd done with itunderstanding.Another cliff-ghast and then a third fell in the stream or on the rocks nearby, stark dead; and then the rest fled, skirling and cluttering into the dark toward the north.A few moments later Serafina Pekkala landed with her own witches and with another: a beautiful witch, fierce-eyed and black-haired, whose cheeks were flushed with anger and excitement.The new witch saw the headless cliff-ghast and spat."Not from our world," she said, "nor from this. Filthy abominations. There are thousands of them, breeding like flies… Who is this? Is this the child Lyra? And who is the boy?"Lyra returned her gaze stolidly, though she felt a quickening of her heart, for Ruta Skadi lived so brilliantly in her nerves that she set up
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