fantasy art painting
western art painting
realism art painting
abstract acrylic painting
¡¡¡¡'I beg your pardon, Mr. Traddles,' said Mr. Micawber, with the old roll in his voice, as he checked himself in humming a soft tune. 'I was not aware that there was any individual, alien to this tenement, in your sanctum.' ¡¡¡¡Mr. Micawber slightly bowed to me, and pulled up his shirt-collar. ¡¡¡¡'How do you do, Mr. Micawber?' said I. ¡¡¡¡'Sir,' said Mr. Micawber, 'you are exceedingly obliging. I am in statu quo.' ¡¡¡¡'And Mrs. Micawber?' I pursued. ¡¡¡¡'Sir,' said Mr. Micawber, 'she is also, thank God, in statu quo.' ¡¡¡¡'And the children, Mr. Micawber?' ¡¡¡¡'Sir,' said Mr. Micawber, 'I rejoice to reply that they are, likewise,
oil painting
in the enjoyment of salubrity.' ¡¡¡¡All this time, Mr. Micawber had not known me in the least, though he had stood face to face with me. But now, seeing me smile, he examined my features with more attention, fell back, cried, 'Is it possible! Have I the pleasure of again beholding Copperfield!' and shook me by both hands with the utmost fervour. ¡¡¡¡'Good Heaven, Mr. Traddles!' said Mr. Micawber, 'to think that I should find you acquainted with the friend of my youth, the companion of earlier days! My dear!' calling over the banisters to Mrs. Micawber, while Traddles looked (with reason) not a little amazed at this description of me. 'Here is a gentleman in Mr. Traddles's apartment, whom he wishes to have the pleasure of presenting to you, my love!'
Showing posts with label fantasy art painting. Show all posts
Showing posts with label fantasy art painting. Show all posts
Sunday, December 30, 2007
Sunday, November 25, 2007
fantasy art painting
fantasy art painting
western art painting
realism art painting
abstract acrylic painting
The village of Marlott lay amid the north-eastern undulations of the beautiful Vale of Blakemore or Blackmoor aforesaid, an engirdled and secluded region, for the most part untrodden as yet by tourist or landscape-painter, though within a four hours' journey from London. ¡¡¡¡It is a vale whose acquaintance is best made by viewing it from the summits of the hills that surround it - except perhaps during the droughts of summer. An unguided ramble into its recesses in bad weather is apt to engender dissatisfaction with its narrow, tortuous, and miry ways. ¡¡¡¡This fertile and sheltered tract of country, in which the fields are never brown and the springs never dry, is bounded on the south by the bold chalk ridge that embraces the prominences of Hambledon Hill, Bulbarrow, Nettlecombe-Tout, Dogbury, High Stoy, and Bubb Down. The traveller from the coast, who, after plodding northward for a score of miles over calcareous downs and corn-lands, suddenly reaches the verge of one of these escarpments, is surprised and delighted to behold, extended like a map beneath him, a country differing absolutely from that which he has passed through. Behind him the hills are open, the sun blazes down upon fields so large as to give an unenclosed character to the landscape, the lanes are white, the hedges low and plashed, the atmosphere colourless. Here, in the valley, the world seems to be constructed upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine. Arable lands arc few and limited; with but slight exceptions the prospect is a broad rich mass of grass and trees, mantling minor hills and dales within the major. Such is the Vale of Blackmoor.
western art painting
realism art painting
abstract acrylic painting
The village of Marlott lay amid the north-eastern undulations of the beautiful Vale of Blakemore or Blackmoor aforesaid, an engirdled and secluded region, for the most part untrodden as yet by tourist or landscape-painter, though within a four hours' journey from London. ¡¡¡¡It is a vale whose acquaintance is best made by viewing it from the summits of the hills that surround it - except perhaps during the droughts of summer. An unguided ramble into its recesses in bad weather is apt to engender dissatisfaction with its narrow, tortuous, and miry ways. ¡¡¡¡This fertile and sheltered tract of country, in which the fields are never brown and the springs never dry, is bounded on the south by the bold chalk ridge that embraces the prominences of Hambledon Hill, Bulbarrow, Nettlecombe-Tout, Dogbury, High Stoy, and Bubb Down. The traveller from the coast, who, after plodding northward for a score of miles over calcareous downs and corn-lands, suddenly reaches the verge of one of these escarpments, is surprised and delighted to behold, extended like a map beneath him, a country differing absolutely from that which he has passed through. Behind him the hills are open, the sun blazes down upon fields so large as to give an unenclosed character to the landscape, the lanes are white, the hedges low and plashed, the atmosphere colourless. Here, in the valley, the world seems to be constructed upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine. Arable lands arc few and limited; with but slight exceptions the prospect is a broad rich mass of grass and trees, mantling minor hills and dales within the major. Such is the Vale of Blackmoor.
Sunday, November 11, 2007
fantasy art painting
fantasy art painting
western art painting
realism art painting
abstract acrylic painting
Miss Dashwood, at this point, turning her eyes on him with the most angry contempt, stopped him, by saying:- "It is hardly worth while, Mr. Willoughby, for you to relate, or for me to listen any longer. Such a beginning as this cannot be followed by any thing. Do not let me be pained by hearing anything more on the subject." "I insist on you hearing the whole of it," he replied. "My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free, yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of; and with a meanness, selfishness, cruelty, which no indignant, no contemptuous look, even of yours, Miss Dashwood, can ever reprobate too much- I was acting in this manner, trying to engage her regard, without a thought of returning it. But one thing may be said for me: even in that horrid state of selfish vanity
western art painting
realism art painting
abstract acrylic painting
Miss Dashwood, at this point, turning her eyes on him with the most angry contempt, stopped him, by saying:- "It is hardly worth while, Mr. Willoughby, for you to relate, or for me to listen any longer. Such a beginning as this cannot be followed by any thing. Do not let me be pained by hearing anything more on the subject." "I insist on you hearing the whole of it," he replied. "My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free, yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of; and with a meanness, selfishness, cruelty, which no indignant, no contemptuous look, even of yours, Miss Dashwood, can ever reprobate too much- I was acting in this manner, trying to engage her regard, without a thought of returning it. But one thing may be said for me: even in that horrid state of selfish vanity
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